For more than 80 years, the film industry has largely followed the same — highly capitalistic — formula: production → distribution → exhibition. Carlos offers a critical perspective on this model. He highlights several key problems and poses a central question: if the audience is right here, why not bring films directly to them? There are many screens out there — and new paths to reach them.
Key challenges discussed:
Accessibility: Can audiences actually reach the film? Visibility: How can we make sure audiences know about the film? Overcrowding: Why aren’t we exploring new distribution channels instead of chasing the same festivals? Fragmentation: Are there too many intermediaries involved in the commercialization of films?


