FUTURE VOICE
This award is given to a filmmaker who has the potential to contribute to change, both in the film industry and in society in general. The award aims to support new talent and is given for a first or second feature.
Кинофестиваль
22-28 қараша
Ашық бағдарлама
27-29 қараша
Рәсім
29 қараша
Джокджакарта, Индонезия
Сыйлық қоры
$100 000
ALTERNATIVA FILM
AWARDS & FESTIVAL 2024
The Alternativa Film Awards is an alternative system for recognizing professionals from developing film industries, and it aims to make them more visible on a global scale. It honors both the artistic merits and potential social impact of cinema, the films that can bring change to the world and society, while appealing to a broad audience.
Alternativa Film Awards & Festival 2024 толық сипаттамасы мен бағдарламасы ағылшын тіліндегі сайт бетінде қолжетімді
Кинофестиваль
22-28 қараша
Ашық бағдарлама
27-29 қараша
Рәсім
29 қараша
Джокджакарта, Индонезия
Сыйлық қоры
$100 000
- To strengthen the ties between cinema and social change.
- To find brave new voices and amplify them on a global scale.
- To support filmmakers who need it most by providing resources and networking within the international community.
- Courage: We dare people to follow a path of their own.
- Empowerment: We support local communities by giving them a voice in the film industry.
- Cooperation: We foster respectful dialogue and collaboration within the industry and among different cultures.
- Openness and transparency: We are transparent about our work and encourage others to do the same.
- Inclusiveness: We provide equal opportunities and strive to eliminate discrimination.
- Social impact: We promote positive social change through the films and filmmakers we support.
- Involvement: We look for engaged cinema that aims to speak to a wide audience worldwide.
The Alternativa Film Awards celebrate films that excel artistically and have the potential to make a significant societal impact. By impact, we mean the positive changes that have occurred or may occur as a result of the film’s distribution or distribution strategy. These changes can affect individuals, local communities, public opinion, and societies both in the region of film production and beyond.
Our goal is to bring these films and their creators to global attention and help them to reach a wider audience.
Our goal is to bring these films and their creators to global attention and help them to reach a wider audience.
Fiction films, documentaries, animation, and hybrid films made by directors from Asia and completed after January 1, 2023, are eligible. This year, we accept short films of any genre only from Southeast Asia.
Please refer to the Rules and Regulations for a full list of eligible countries and detailed film requirements.
Please refer to the Rules and Regulations for a full list of eligible countries and detailed film requirements.
Applications can only be submitted in English.
A shortlist of Alternativa Film Awards nominees will be drawn up by our Selection Committee consisting of film critics and journalists, curators, and artistic and programming directors of film festivals, as well as of impact producers from Southeast Asia and other regions.
The Alternativa Film Awards winners will be chosen by our International Jury, comprising film directors and producers from Asia and other regions, as well as community leaders and NGO representatives. The International Jury changes every year. The list of this year's Jury members will be announced on this website.
The Alternativa Film Awards winners will be chosen by our International Jury, comprising film directors and producers from Asia and other regions, as well as community leaders and NGO representatives. The International Jury changes every year. The list of this year's Jury members will be announced on this website.
As an international initiative, the Alternativa Film Awards aim to strengthen cultural ties between regions. In 2023, our focus region was Central Asia. Having chosen Southeast Asia as our focus region this year, we hope to introduce more filmmakers from all Asian countries to our initiative and invite them to participate in the awards.
Given the project’s focus region, in 2024 the Shorts Award is exclusively dedicated to short films from Southeast Asia. The core of the Selection Committee and the International Jury will consist of film industry professionals from this region.
Given the project’s focus region, in 2024 the Shorts Award is exclusively dedicated to short films from Southeast Asia. The core of the Selection Committee and the International Jury will consist of film industry professionals from this region.
The Alternativa Film Festival marks an evolution of the project, showcasing the awards nominees to a wide audience. It will present free public screenings of all the nominated titles in the lead up to the awards ceremony in November.
NOMINATIONS
The Alternativa Film Awards are presented in five categories with a total prize fund of $100,000. We also present a special Resonance award, which does not come with a monetary prize.
SPOTLIGHT
This award recognizes a film highlighting a topic or story that would have otherwise remained below the public’s radar. It emphasises the importance of bringing overlooked social issues to the forefront on screen.
ALTER
This award recognizes a film that encourages social change. The award is given to a film that addresses critical issues (human rights, migration, environment, etc.) and has the potential to impact society.
NATIVA
This award goes to a film that touches on national or cultural identity topics. The award is given for representing a country or a region and putting that place or community on the map.
SHORTS AWARD
This award goes to two short films produced in the focus region. The award aims to support filmmakers who boldly forge their own paths by creating films that have a clear impact vision.
RESONANCE
A special award for a film that has achieved outstanding success with the audience.
*This prize is not part of the open call, and does not carry a monetary reward.
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Adrian Jonathan PASARIBU
Indonesia
Adrian Jonathan Pasaribu is the co-founder of Cinema Poetica — a collective of film critics, activists, and researchers in Indonesia. Having earned a Master’s degree in Film Studies from the Universiteit van Amsterdam in 2023, Adrian nowadays works as a curator for Jakarta Film Week and as a researcher for Arts Equator’s Southeast Asian Arts Censorship Database.
Yuki ADITYA
Indonesia
Yuki Aditya (b. Jakarta) graduated from the University of Indonesia majoring in Fiscal Administration. He is now the Artistic Director of ARKIPEL International Documentary and Experimental Film Festival which has been held since 2013, and also acted as a producer of films produced by Forum Lenteng; Golden Memories: Petite histoire of Indonesian Cinema (2018), Om Pius…This is My Home, Come the Sleeping (2019), Dolo (2021). Along with I Gde Mika, was a co-creator of the film The Myriad of Faces of Future Challengers (2022). At Forum Lenteng, he is part of the routine screening program team curating world cinema with Indonesian subtitles for the cinema literacy program. He has participated as a jury member in several film festivals, such as Kasseler Dokfest (Germany), Festival Film Dokumenter (Indonesia), and Taiwan International Documentary Film Festival.
Martin HORYNA
Czechia
Martin Horyna is a freelance story consultant, curator, festival programmer, and occasional film critic. He has been working for the Karlovy Vary International Film Festival (KVIFF) since 2011, initially as a programmer, currently he advises KVIFF on Asian cinema and experimental films. He serves as the acting president of FIPRESCI's Czech national section and is a member of EFA and the Slovak Audiovisual Fund's expert committee. In 2019, Screen International listed him among the "Future Leaders" of film programming and curation.
Gulnara ABIKEYEVA
Kazakhstan
Gulnara Abikeeva is a film scholar, Doctor of Art History, President of the Association of Film Critics of Kazakhstan, and a board member of the Network for the Promotion of Asia Pacific Cinema (NETPAC). She is also a recipient of the French l’Ordre des Arts et des Lettres.
She regularly participates as a jury member at Berlinale and other prestigious film festivals, and served as the artistic director of the Eurasia International Film Festival in Almaty in 2005-2013, 2022. Among her books on Central Asian cinema are Cinema in Central Asia: Rewriting Cultural Histories, published in the United Kingdom, and The Unknown New Wave of Central Asian Cinema, published in South Korea.
Philip CHEAH
Singapore
Philip Cheah is a film critic and programme consultant and advisor to film festivals in Shanghai (China), Jogjakarta (Indonesia), Alternativa Film Awards (Central Asia) and Hanoi (Vietnam).
He co-founded the South-east Asian Film Festival and is Patron of the SEA (South-east Asia) Screen Academy in Makassar, Indonesia. He is also Spiritual Advisor to the Bakunawa Young Cinema Film Festival (Philippines).
He is co-editor of the books, Garin Nugroho: And the Moon Dances; Noel Vera: Critic After Dark: a Review of Philippine Cinema and Ngo Phuong Lan: Modernity and Nationality in Vietnamese Cinema. He is also editor of the book, When East Meets East: The Emerging Asian Film Co-Production Landscape.
Sharofat ARABOVA
Tajikistan
Sharofat Arabova is a film director, screenwriter, expert in Asian cinema, and author of monographs on Tajik cinema, as well as a PhD in historical sciences. She is also a member of the Filmmakers’ Union of Tajikistan and the Network for the Promotion of Asia Pacific Cinema (NETPAC). She regularly serves on the juries of Asian and European film festivals.
Chong Lee YOW
Malaysia
Chong Lee Yow is a film lecturer at Universiti Malaysia Sarawak. Apart from teaching, researching, and making films, he curates and directs the longest-running short film festival in Malaysia, the Mini Film Festival.
HÀ Lệ Diễm
Vietnam
Ha Le Diem is a Vietnamese director and artist. In 2016 she organized filmmaking classes for Hmong children. One of the participants became the main character of “Children of the Mist,” Diem’s first feature. The film premiered at the International Documentary Festival Amsterdam in 2021, where Diem won the Best Directing award.
During its festival run, the film was invited to around 150 events and garnered 36 awards. It was also shortlisted for Best Documentary Feature at the 95th Oscars. Diem is now making her second film, “Long Way North," in northwestern Vietnam.
Marcus Mạnh Cường Vũ
Vietnam
Marcus Manh Cuong Vu is a Vietnamese filmmaker. His debut feature MEMENTO MORI: EARTH (2022), for which he wrote, directed, and co-produced had its world premiere in the New Currents section of the 27th Busan International Film Festival (BIFF). The film won the NETPAC Award at the 1st Danang Asian Film Festival 2023. Marcus has regularly taught scriptwriting techniques in basic and advanced workshops since 2020. He joined the S-Express network in 2016 and is responsible for Vietnamese short films. He also curated films for SeaShorts, the Asian Film Symposium, Alternativa.
TRƯƠNG Quế Chi
Vietnam
Truong Que Chi is a Hanoi-based artist and curator working in the domains of cinema, visual arts, and performing arts. In 2022 she was a co-curator “Echoes, Embers – A Story of Vietnamese and French cinema” at the Asian Film Archive, Singapore. She also served as a curator for Như Trăng Trong Đêm (Like the Moon in the Night Sky) project. This series of events, based in Hanoi, focuses on Vietnamese cinema across different genres and periods.
Que Chi has collaborated with various art spaces such as District Berlin, Germany (2023), Kings Artists Run Gallery, Australia (2020), A+ Works of Art Gallery, Malaysia (2019), Objectifs Centre for Photography and Film, Singapore (2017) in showcasing moving image works from Vietnam.
Since 2015, she has been a board member of the Hanoi-based artist initiative Nhà Sàn Collective and a film lecturer at the Hanoi University of Theatre and Cinema.
Rajan KATHET
Nepal
Rajan is a filmmaker based in Kathmandu, working in both fiction and documentary films. He is an alumnus of the European Masters DOCNOMADS program (2014-2016), Berlinale Talents (2017, 2024), and the Global Media Makers LA Residency (2021/22). Rajan's first feature documentary, No Winter Holidays, won the NATIVA Award at the Alternativa Film Awards 2023 in Kazakhstan and is also a recipient of the DMZ Docs Industry Fund, the HAF/WIP Documentary, and the HAF Goes to Cannes Award.
Rajan recently served as a juror for the IDA Documentary Awards 2023 and is both a board member and a selection committee member at the Kathmandu International Mountain Film Festival. Rajan is a tutor in local film schools and filmmaking workshops. Additionally, he collaborates with national and international filmmakers through his production company, Salpa Films.
John Badalu
Indonesia
John Badalu has been working in the film industry for more than 20 years. He has worked for festivals like Berlinale, the Shanghai International Film Festival, and BiFan (Bucheon International Fantastic Film Festival) as a film delegate and scout. He is also the co-founder of a queer and human rights-focused Q! Film Festival in Indonesia (2002-2016). He is an Ashoka Fellow. As an independent producer, he has produced several award-winning films that premiered in Cannes, Berlin, Sundance, Locarno and Rotterdam.
Kara Magsanoc-Alikpala
Philippines
Kara Magsanoc-Alikpala is an Emmy-nominated documentary producer, impact producer and
broadcast journalist. She co-founded the production company Storytellers International Inc..
She produced Delikado (2022), a documentary on land defenders who battle illegal logging in
the island of Palawan, Philippines. The film was nominated for an Emmy in the Outstanding
Investigative Documentary category. She also produced other multi awarded film 11,103
(2022), Call Her Ganda) (2018), and Batas Militar (1997).
Kara has produced documentaries for ARD German TV, Cable News Network (CNN), the History
Channel, and the Australian Broadcasting Company. She has reported for the Public
Broadcasting Service, Voice of America and the ABS-CBN News Channel. She has been jury for
the Emmy Awards, News and Documentary category since 2020.
She is a member of the Advisory Committee of the Global Impact Producers Alliance. She is
President of the Filipino Documentary Society and Board Member of the Board of Trustees of Q
Cinema. She was a member of the core team for Doc Society’s Good Pitch Southeast Asian
team in Indonesia in 2017.
Darmawan Triwibowo
Indonesia
Darmawan Triwibowo is an Indonesian activist who currently serves as the Executive Director of Kurawal Foundation, a social justice philanthropy based in Jakarta. He embraces artivism in his work to promote democracy values and practices in Southeast Asia through various collaboration with documentary film makers, photographers, comic artist, and other artivists. He obtained his mater degree in Public Policy and Administration from University of Missouri, St. Louis in 2012.
Alia DAMAIHATI
Indonesia
Alia Damaihati is one of the program managers of Forum Film Dokumenter, which started in 2006. She learned and studied film programming and exhibition management at Kinoki and several workshops. She currently serves as Program Director at Festival Film Dokumenter.
Sugar NADIA
Indonesia
Sugar has been actively involved in film festivals and alternative cinema for about 15 years, participating in various film festivals, workshops, and collaborative programs both nationally and internationally. Sugar served as Director of the Madani International Film Festival from 2018 to 2023 and has been a part of the Indonesian Film Festival (FFI) jury department team since 2021. She is a curator at the Plaza Indonesia Film Festival since 2015 and the Head of the Film Committee at the Jakarta Arts Council 2024-2026.
Varadila NURDIN
Indonesia
Varadila is a specialist in documentary project development and film financing forum management. She was a Program Director for Docs by the Sea, a documentary incubator and pitching forum for Southeast Asian documentaries held annually in Indonesia. In addition, she has years of experience in film curation and programming through her works with Jakarta International Film Festival, minikino, and Erasmusindocs. She has served as a member of the selection committee, panel speaker, moderator, pitch trainer, and juror for international and regional film festivals including Sheffield DocFest, Open City Documentary Festival, Nordisk Panorama Forum, Festival Film Dokumenter Yogyakarta, and Luang Prabang Film Festival.
Nauval YAZID
Indonesia
Nauval Yazid completed a Bachelor of Arts degree from National University of Singapore in 2002. Started working in film as a publicity officer in Jakarta International Film Festival in 2006, until becoming the festival co-director in 2010. Joined a film company, Salto Film, in the marketing and distribution section in 2011. Together with Ade Kusumaningrum and Michael Ratnadwijanti founded Median Publicist in 2012, one of few companies in Indonesia that solely focuses on film promotion and publicity for local films. Worked as a program director for one of Indonesia’s biggest short film festivals, XXI Short Film Festival from 2012-2016, and sat as a jury member for Piala Citra, the Indonesian Academy Awards, for the short film category, in 2014, 2015, 2022 (selection team) and 2023. Currently worked as the festival co-director of the biggest European film festival in South East Asia, Europe on Screen, since 2018.
Chalida UABUMRUNGJIT
Thailand
Chalida Uabumrungjit graduated in film from Thammasat University and film archiving from University of East Anglia,UK. She is one of the founding members of Thai Short Film and Video Festival which she has served as Festival Director since 1997. She was involved in making a number of experimental films and documentaries. She is also one of the selection committee of AND (Asian Network of Documentary) from 2006-2018. She has served as the Director of the Film Archive, Thailand since 2019.
Sein Lyan Tun
Myanmar
Sein Lyan Tun is a filmmaker from Myanmar, currently residing in Recollets Residency, Paris. His latest short film “Everybody’s Gotta Love Sometimes” got selected in Busan International Film Festival 2023 under “Wide Angle Aisa Short Film Official Competition” and won “Sonje Special Mention Award”. Also his short film Late Blooming In A Lonely Summer Day has been selected in some international competitions like the Internationale Kurzfilmtage Winterthur, Festival du Court Métrage de Clermont Ferrand, and Locarno Filmmakers Academy. The Beer Girl In Yangon is his first feature film, which won two Development prizes from CNC and Swiss Films under Locarno Open Doors at Locarno Open Doors 2021, which was selected at Cannes L'atelier Cinéfondation 2022, Torino Feature Lab 2023. His first feature documentary The Bamboo Family which was selected at IDFA Academy and received IDFA development grants in 2022. In 2023, selected to VdR–pitching forum and won “Cannes Docs Award” and “Doc Leipzig Award”. In 2024, he founded “Dosiciné” to help Burmese young filmmakers in Myanmar in order to help their film project dossier.
Baby Ruth VILLARAMA
Philippines
Baby Ruth Villarama specialises in producing documentaries as a director, producer. She started her career doing current-affair stories for national television before she got commissioned to do international stories for AsiaWorks, NHK, EuroNews, NatGeo, and others linking Europe and Asia through stories.
Baby Ruth earned her master’s degree in film marketing and distribution with commendation from Birmingham City University as a Chevening scholar, where she won the UK Global Alumni Award for social impact in influencing conversations and policy improvements on modern-day slavery through her films. She is the director behind Sunday Beauty Queen, the first documentary that won Best Picture at the 2016 Metro Manila Film Festival (MMFF). The film paved way in the creation of a dedicated Department of Migrant Workers to champion millions of Filipino migrant workers.
She’s a co-founder of Voyage Film Studios and Filipino Documentary Society — organisations that champion socially-relevant films to the Filipino audience as well as key international festivals.
Villarama is part of the executive board of the Directors’ Guild of the Philippines (DGPI) - a prime mover of Philippine television and cinema, and a member of the Academy of Motion Picture Arts and Sciences (AMPAS) under the documentary branch.
Kavich NEANG
Cambodia
Kavich NEANG studied music and dance at a young age at Cambodian Living Arts before graduating in professional design from Limkokwing University of Creative Technology in 2013. In 2010, he directed his first short film, A SCALE BOY, as part of a documentary film workshop led by Cambodian filmmaker Rithy Panh. He joined Cannes Cinéfondation's Residency in 2017-18. His debut feature film, WHITE BUILDING, won the Orizzonti Award for Best Actor at the 2021 Venice Film Festival.
Nurain ABDULLAH
Brunei
A producer with great passion in visual storytelling and a vision to develop Brunei’s film industry by nurturing local talents and international networking.
Lulu RATNA
Indonesia
Lulu Ratna was born in Jakarta, graduated from Anthropology, University of Indonesia (1997) and Urban Art and Cutural Industry Postgraduate School, Jakarta Institute of Arts (2020). She worked as film festival organiser since 1999, from Jakarta International Film Festival to ChopShots Documentary Film Festival Southeast Asia. Since then she served as the programmer and jury in numerous pitching forums and film festivals. Actively involved in Boemboe Organization (Indonesian short film program outreach) and facilitated film festival workshops with Coordination for Film Festival in Indonesia/COFFIE. Now she’s teaching at the Film Major, Universitas Multimedia Nusantara and also part of the organising committee in UCIFEST - UMN Animation & Film Festival. She is one of the Program Advisor in International Documentary Film Festival Amsterdam/IDFA since 2021. In 2024 she is part of IDOCLAB organiser and published a book about how to organise film festival based on practices in Indonesia.
Thaiddhi
Myanmar
THAIDDHI is a Filmmaker, Producer, and also Film Programmer. He studies Filmmaking at FAMU in the Czech Republic for 3 years master's degree program in Cinema and Digital Media. He co-founded Wathann Film Festival in 2011 and worked as a Programmer for the festival. In 2013 he founded Third Floor Film Production to produce Myanmar Independent films. He also served as the independent programmer and jury for international film festivals.